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September 8
Tomorrow at circleculture gallery. AARON ROSE TROUBLE SEPTEMBER 09, 2010 TO SEPTEMBER 25, 2010 OPENING September 9TH  2010 7PMCircleculture Gallery, Berlin presents “Trouble”, new works by Aaron Rose, which give very personal and direct insights into the artist’s mind. Aaron Rose is perhaps best known as a curator. With his touring show Beautiful Losers and the documentary of the same name, he brought underground artists to public attention, championing a DIY aesthetic informed by their various backgrounds as skaters, punk rock fans and graffiti writers. For this show he has a particular obsession: painting on suitcases. “Suitcases from the 50s to 70s were manufactured in such interesting color palettes – these incredible mustard yellows and army greens,” he says. Rose calls the works (some of which are stuffed with surprise goodies for buyers to walk away with) “object paintings,” displaying them in the spirit of Duchamp. Art historical references aside, the show’s conceptual slant is psychological, personal even. “It’s my baggage,” says Rose. “The exhibition is going to be very much a confession, what all my problems are.”

Tomorrow at circleculture gallery.

AARON ROSE

TROUBLE

SEPTEMBER 09, 2010 TO SEPTEMBER 25, 2010

OPENING September 9TH  2010 7PM

Circleculture Gallery, Berlin presents “Trouble”, new works by Aaron Rose, which give very personal and direct insights into the artist’s mind. Aaron Rose is perhaps best known as a curator. With his touring show Beautiful Losers and the documentary of the same name, he brought underground artists to public attention, championing a DIY aesthetic informed by their various backgrounds as skaters, punk rock fans and graffiti writers. 
For this show he has a particular obsession: painting on suitcases. “Suitcases from the 50s to 70s were manufactured in such interesting color palettes – these incredible mustard yellows and army greens,” he says. Rose calls the works (some of which are stuffed with surprise goodies for buyers to walk away with) “object paintings,” displaying them in the spirit of Duchamp. Art historical references aside, the show’s conceptual slant is psychological, personal even. “It’s my baggage,” says Rose. “The exhibition is going to be very much a confession, what all my problems are.”